Oil On Canvas, Real Flavor of Old Masters

All Nicholas Pocock 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
37832  
A British convoy in a gale during the american war of independence, Nicholas Pocock
  		 A British convoy in a gale during the american war of independence   mk129 Oil on canvas 21x30in 53.3x76.2cm
86801  
Santodomingo, Nicholas Pocock
  		 Santodomingo   Oil on canvas cyf
37891  
The Battle of the Nile,1 August 1798, Nicholas Pocock
  		 The Battle of the Nile,1 August 1798   mk129 The Scene in Aboukir Bay as the British Fleet sails in to attack the line of anchored French Ships.
32774  
The British Fleet, Nicholas Pocock
  		 The British Fleet   mk47 Watercolour 480x750cm
49738  
This work of am exposing they five vessel as elbow bare that gora with Horatio Nelson and banskarriar, Nicholas Pocock
  		 This work of am exposing they five vessel as elbow bare that gora with Horatio Nelson and banskarriar   mk203 Tremasta clean to boger am failing the depend Victory as bare guarded to be days and am laying in an orlogsdocka in Portsmouth
91507  
Woolwich Dockyard, Nicholas Pocock
  		 Woolwich Dockyard   1790(1790) Medium oil Dimensions 138.4 x 279.4 cm (54.5 x 110 in) cyf
Nicholas Pocock
British Painter, 1741-1821 English painter. After an apprenticeship in the Bristol shipbuilding yards of Richard Champion, Pocock began a career at sea in the mid-1760s. He was a practised and gifted amateur watercolourist (his earliest signed and dated watercolour is from 1762), and when in command of the Lloyd, one of Champion's merchantmen, he began to keep detailed logbooks illustrated with wash drawings (four at London, N. Mar. Mus.). In 1780 he gave up his sea career, married and sent his first oil painting to the Royal Academy. The picture arrived too late for exhibition, but Sir Joshua Reynolds wrote back, noting 'It is much beyond what I expected from a first essay in oil colours'. Pocock exhibited annually at the Academy between 1782 and 1812 and enjoyed a steady supply of commissions for oil paintings and watercolours, mostly of marine subject-matter. He produced a series of watercolour views of Bristol (stylistically close to Edward Dayes) in the 1780s, many of which were engraved, and of Iceland in 1791.



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